TEWAZ Cornish Playhouse at Seattle Center, cabiri.org. $20–$35. 7:30 p.m. Fri.–Sun. Ends June 14. The Cabiri’s shows have always been…
Giselle McCaw Hall, 321 Mercer St. (Seattle Center), 441-2424, pnb.org. $28–$184. 7:30 p.m. Thurs.–Sat., 2 p.m. Sat., 1 p.m. Sun….
#UNPROTECTED Erickson Theater Off Broadway, 1524 Harvard Ave., whimwhim.org. $15–$25. 8 p.m. Wed.–Fri. Ends May 23. Choreographer Olivier Wevers has…
Afternoon of a Faun: Tanaquil Le Clercq Opens Fri., April 25 at Varsity. Not rated. 92 minutes. Almost forgotten today,…
Director’s Choice McCaw Hall, 321 Mercer St. (Seattle Center), 441-2424, pnb.org. $28–$179. 7:30 p.m. Thurs.–Sat., 1 p.m. Sun. Ends March…
The Sleeping Beauty McCaw Hall, 321 Mercer St. (Seattle Center), 441-2424, pnb.org. $28–$179. 7 p.m. Thurs.–Sat., 1 p.m. Sat.–Sun. Ends…
Homo for the Holidays Oddfellows Hall, 915 E. Pike St. (West Hall, 2nd floor), 320-8458, strangertickets.com. $25–$30. 8 p.m. Wed.–Thurs.,…
Kylian + Pite McCaw Hall, 321 Mercer St. (Seattle Center), 441-2424, pnb.org. $28–$174. 7:30 p.m. Thurs. & Sat., 1 p.m….
Air Twyla McCaw Hall, 321 Mercer St. (Seattle Center), 441-2424, pnb.org. $28–$174. 7:30 p.m. Thurs.–Sat., 1 p.m. Sun. Ends Oct….
Ever since God gave Adam the job of naming things, the rest of us have been busy finding ways around…
Constellation Half Remembered Jack Block Park, 2130 Harbor Ave. S.W., umamiperformance.wordpress.com. Free. 3 p.m. Sat., July 20. Parallel Public Works,…
Not quite a week before his Tide Harmonic was scheduled to premiere at Pacific Northwest Ballet, Christopher Wheeldon was in…
Co-LAB 5 Erickson Theatre Off Broadway, 1524 Harvard Ave., brownpapertickets.com. $10–$20. 8 p.m. Fri.–Sat. Ends May 11. Back in the…
Project 6 ACT Theatre, 700 Union St., 292-7676, seattledanceproject.org. $20–$25. 8 p.m. Fri.–Sat. Ends March 30. Seattle Dance Project has…
Pacific Northwest Ballet used to have a sumptuous production of Romeo and Juliet, choreographed by former director Kent Stowell, that…
Carrying on behind a stuck curtain.
Three embraces from Byrd and friends.
Demonstrating that “how we mix makes us original.”
A family-friendly ballet lures the audiences of the future.
Our critic traces the evolution of an institution.
